GRAVÜRLER/ENGRAVINGS
ISTANBUL/CONSTANTINOPLE/OTTOMAN EMPIRE/WORLD

 

 

 

 

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• Reverse Detail •

 

Panorama of Constantinople by Sebastian Münster (Muenster)

Cosmographia (Cosmography), first edit. 1544, this illustration

dates 1588. Reverse is the depiction of Emperor Julian (Iulianus)

Click the portrait of Sebastian Muenster above to view his biography

 

 

View of the Seraglio at Constantinople

Copper engraving by Angus after Metz,

issued in Geographical Magazine, by William Frederick Martyn,

published by Harrison, in London, 1783.

Dimensions: 18 x 15cm

 

Hungary with Turky (Turkey) in Europe

Copper engraving by T. Kitchin, G.Britain, 1777.

Dimensions: 25.4x21cm

A map showing western and westenmost regions of the Ottoman Empire, and on the right hand side an imaginary and fancy Ottoman figure who stands before an antique fountain presenting the title of the map, is the feature of Western description of an Ottoman in the 18th century.

 

 

   
 

 

Eugene Flandin (1803-76), Pointe de Serail(Sarayburnu), lithography/taşbaskı gravür, from the album L'Orient adlı albümden, 1852

For a detailed information see/ayrıntılı bilgi için bkz. Aykut Gürçağlar, Hayali İstanbul Manzaraları, YKY Yayınları, İstanbul, 2005:183-187

 

 

   
 

 

 

Eugene Flandin (1803-76), Vue de Stamboul(İstanbul tarihi yarımada), lithography/taşbaskı gravür, from the album L'Orient adlı albümden, 1852

 

 

   
 

 

Charles Lalaisse, Audience d'un ambassadeur Européen vers 1788, in J.M. Jouannin and J. van Gaver, Turquie, Firmin Didot Fréres, Paris, 1840: pl.73

For more details please see: Aykut Gürçağlar, Representations of Ottoman Interpreters by Western Painters, Acta Orientalia, Vol. 57, Akademiai Kiado, Budapest, 2004: 237-38.

For similar illustrations please visit:

http://www.arteorientalis.com/diplomatic_trinity.htm

 

   
 

 

 

C. Lalaisse, Tribunal du Grand-Vézir (Arz-odaci), in J.M. Jouannin and J. van Gaver, Turquie,Firmin Didot Fréres, Paris, 1840: pl.49

 

 

   
 

 

 

Masson, Yeni tcheri Agaci Cazi Asker ou(Yeniçeri Ağası ve Kadıasker), in J.M. Jouannin and J. van Gaver, Turquie, Firmin Didot Fréres, Paris, 1840: pl.18

 

   
 

 

 

 

Thienon, Champs des morts, in J.M. Jouannin and J. van Gaver, Turquie, Firmin Didot Fréres, Paris, 1840: pl.88

 

   
 

 

Thomas Allom, The Great Cemetery of Scutari, in T. Allom and R. Walsh, Constantinople and the Scenery of the Seven Churches of Asia Minor, Fisher,Son&Co. , London, 1840: pl.36

 

 

 

   
 

 

Thomas Allom, Odalique or Favorite of the Harem, in T. Allom and R. Walsh, Constantinople and the Scenery of the Seven Churches of Asia Minor, Fisher,Son&Co. , London, 1840: p.79

 

 

   
 

 

 

 

Thomas Allom, Sardis, in T. Allom and R. Walsh, Constantinople and the Scenery of the Seven Churches of Asia Minor, Fisher,Son&Co. , London, 1840: pl.?

 

   
 

 

William Henry Bartlett, The Column of Theodosius, in Julia Pardoe, Beauties of the Bosphorus, George Virtue , London, 1839: pl.66

 

 

   
 

William Henry Bartlett, Interior of St. Sophia's, in Julia Pardoe, Beauties of the Bosphorus, George Virtue , London, 1839: pl.63

 

 

   
 

 

 

H. Clerget, Stegebourg, Lac Wernere (Suede),Stegeborg, Wernere Lake(Sweden), Lemercier Printing House, Paris, colored lithography, 1850s.

 

   

 

 

T.Sinclair, Chief Interpreter Moryamo Yenoski and Tako-Juro Interpreter, issued in Washington 1856  for the Commodore Perry book " Narrative of the Expedition of An American Squadron to China Seas and Japan", color lithograph, dug by E. Brown Jr., 1856.

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